Design Bulletin

David Kantor

Wall Calendar

Thursday, 20 August 2026

Lalique

Conceptual Calendar for French premium glass manufacture Lalique. Connecting the world of unique handmade glass production by a premium manufacturer and the world that is entirely handmade from paper. To create an amazing imaginary space in which the luxurious world of glass and visual art is combined. Together with perfect printing technology, large format, special effects and surface treatments, they form a breath-taking story that will entertain you all year long.Great attention was paid to every detail and also on extremely precise processing and the top-quality print result.

USEE Advertising Company

Desk Calendar

Wednesday, 19 August 2026

Time Slide

This design presents time as a process of accumulation rather than disappearance. Each day leaves a trace, and each month becomes part of a larger visual sequence. Instead of turning pages, the user removes and inserts monthly sheets like slides in a projector. This action creates a clear rhythm of transition. The calendar encourages people to experience time not as something that is lost, but as something that builds gradually in layers.

Paul Robb

Advertising and AR Campaign

Tuesday, 18 August 2026

School Admissions

ABA Typographic Posters is an advertising campaign created for an arts university. Large-format typographic posters are printed and installed in public urban locations, where bold layouts and color systems attract attention. Each poster works as a marker for augmented reality content, which viewers reach by scanning the printed image with a smartphone. The augmented reality layer adds animated and interactive material that extends the printed message. The campaign presents art education to prospective students in a direct and participatory way.

Ibrahim Badri

Corporate Brand Identity

Monday, 17 August 2026

Hued

The visual identity explores creativity through a system inspired by Saudi culture. Crimson tones, soft inflated forms, and illustrated personas create an approachable visual language that encourages expression and experimentation. Cultural objects such as coffee pots, swords, and falcons appear as familiar motifs across applications. Patterns introduce rhythm and continuity, while pictographs explain stages of the creative process, reflecting the idea of joy through art, creativity, design, and innovation.

Lisa Winstanley

Toolkit

Sunday, 16 August 2026

Design Ethics & Visual Integrity Lab

Devil is a workshop toolkit created for the Design Ethics and Visual Integrity Lab. The toolkit is a participatory visual communication system that addresses visual plagiarism and supports ethical design practice in art and design education. Structured activities, prompt cards and a cohesive visual identity guide reflective making. Printed items include a workbook, a custom folder, a poster, postcards and a notepad, produced on Munken Polar Rough paper with spot UV detailing. The toolkit supports collaborative learning across different teaching contexts.

Tomohiro Kaji

Magazine

Saturday, 15 August 2026

TMD Journal

TMD Journal examines type design not as visual styling but as a structured system that organizes meaning. In response to the widespread use of digital fonts as surface level assets, the publication repositions typography as a medium for constructing thought and communication. Each chapter presents an original type system through its conceptual premise, structural logic and applied context, showing how typographic decisions translate into form and use. The journal provides a framework for understanding type as an active component in branding and communication.

Design Bulletin

Lalique

Time Slide

School Admissions

Hued

Design Ethics & Visual Integrity Lab

TMD Journal

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TMD Journal

ABOUT ME

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